As the Durga Puja draws near, the rhythmic clatter of bamboo scaffolding and the earthy scent of clay fill the air in Amarpur’s Rangamati, Birbal Das Para, and Hospital Chowmuhani. 

Studios of idol‑makers are buzzing with feverish activity, yet behind the artistry lies a story of struggle—soaring prices of straw, bamboo, clay, colours, and fabrics have pushed profits to the brink.

Despite dwindling margins, artisans remain steadfast in their devotion. Veteran sculptor Ratan Pal, who has taken orders for 26 idols this season, embodies this resilience. A craftsman since his student days, Pal balanced teaching with artistry, and after retirement has dedicated himself entirely to his studio. His sons Subir Pal and Ranbir Pal, along with their wives, now join him in the sacred labour, supported daily by eight skilled workers.

Speaking to reporters, Ratan Pal admitted, “Idol‑making is no longer a business for us—it is love. This year, expenses will not be recovered. Yet, to give Goddess Durga her earthly form is our duty, our tradition.” His words capture the paradox of devotion and hardship that defines the lives of Amarpur’s idol‑makers.

The cost of raw materials has nearly doubled in recent years, leaving artisans with little financial gain. Still, the pull of heritage and the spiritual responsibility of shaping the goddess’s visage keeps them bound to their craft. Families and communities rally together, ensuring that the festival’s grandeur is not dimmed by economic pressures.

Artisans have appealed for government assistance to sustain this age‑old tradition. Without institutional backing, they fear the continuity of this cultural legacy may falter. For now, however, their chisels, brushes, and hands remain devoted to the timeless task of bringing Durga to life.